Kinebohのブログ一覧

Earthquake broke out this morning at Osaka area with M5.9 degree and all the traffic is out of order now. Emergency vehicles are running about with warning siren. My family must have remembered the huge Earthquake happened few years ago involving thousands of victims, Hanshin Awaji Big Disaster. The infrastructures around my living place were destroyed at that time, abominable memories.
All the railroad are stopped and some of the train did on the way with fully burdened in this commuting time zone. Not a few workers and students in the train must have influenced inconveniently.
My son took the way to go to the working place by bike without hesitation.
Probably the road traffic is crowded unusually, so I determined not to go outside today unnecessarily.
No harm was obtained in my living place but I'm anxious about my working room, many things are put and hug here and there.
I hope no damage would not be recognized when I visit there.
An unexpected affair happens any time, what must be done before the disaster occurs.

Improvement of smoothness on Gimbals stick in Futaba 10J transmitter has remarkably recommended by applying the carbon led powder between neutral guiding lever surface and guiding pin.
According to my experience on the shutter trigger when I disassembled Leica M3 old model, several materials were applied at that portion, Teflon powder Microflon, 2 Molybdenum sulfate, and Carbon Led Graphite Led powder.
Carbon led graphite powder had some advantage among the materials tested especially in the condition of short distance, slow movement and relatively high pressured slipping scenery.
This same concept was applied on the transmitter gimbals construction because I had been suffered from some uneven movement phenomena in aileron, elevator and rudder stick actions. Slipping resistor changes and the stick movement transition is not always acceptable to set and keep the stick angular position when vertical flight. This is why I determined to replace the lubricating materials from ordinary Silicon grease to Carbon graphite powder.
Now I have no complaint on the gimbals stick movement in 10J transmitter as a matter of fact. Next actual flight would prove that the change of lubricant should be effective enough to compete with the other applicants who all are armed with the most sophisticated proportional system 18MZ. Defeating higher weapon with the cheaper arm is my way.
The reliability of the Radios between them are the same however cheaper it may be, so the requirement at the competition scenery is nothing but the skill of the pilot, eye sight to the moving thing and my own quick finger reactive movements.

Fully self designed high wing stunt model is now under construction. Wing span is 1600 mm for meeting with the regulation, main wing airfoil is 17% symmetric and the thrust layout is similar with an ordinary stunt model, though "Erica" looks like just a slow flying dull high wing model, I would like to get higher score in the competition scenery with "Erica".
It looks that a high wing designing is not suitable for F3A pattern maneuver, this model would have enough capability to defeat another stunt models, most of them should be some China made ARF models.
I will take part in the competition with "Erica" just to win, not only for participating.
The power source would be OS 55 AX inviting YS fuel pressure regulated pump system. Propeller is high performance Akizuki 13-6 Glass Fiber Polyester hand made one.
Probably, every applicant would be surprised to see my high wing stunt model with laughing, and with making little of "Erica".
In order to recover my shocks caused by loosing 2 model airplanes last year, I must make haste to finish this "Erica", ASAP.

A beautiful colored insect was taking a rest on the wall surface this morning, I don't know it by name and where it came from. The shape, figure and coloring of their living thing is nothing but an art. Probably the construction of the exoskeleton must be fine and the muscles, nerves and synapses are well designed inside, also it has an indispensable capability to inherent its specific Genome Information to it's next generation.
I'm looking forward to find out some suitable good coloring design to be imitated for my model airplane.
Whenever I verify designing and coloring on the natural living things such as beautiful insects and Tropical fishes, I never recognize their functional beauty without surprise.
By the way, who made this? What's the purpose of this living thing to have appeared on the Earth? How long it's life circle would be repeated and continued? Before that, why I myself is living on the Earth, what is the necessity of Lives here? I know that our business to produce the next generation and have I my son actually. Still now I have the Question.
If I was an artist, I would try to find the way in the natural living things to establish my standing point of view.
And my critical goal would be overcoming the "Natural" by my work.
Though my desire is not well performed enough even after 68 years interval.

The 89th Ashiya Symphony Orchestra Regular Concert was held at Nishinomiya Hyogo Performing Arts Center Grand Hall this evening and we enjoyed far more than usual, because the Conductor was specially invited, Mr. Sachio Fujioka. The sound they served was superb like a different orchestra, actually their all programs were above words. Their professional like performance was fully conducted by Mr. Fujioka probably with hard work.
The sound of strings had some ultimate balance with warm thickness and harmony, transition to the next phrase was very smooth, also the connections with another instruments were so marvelous as to satisfy the audience today.
Though I would often feel some noisy condition while fortissimo phase, I was not suffered from saturated noisy sound even once.
I realized that the sound of the orchestra is not decided by the skill of the members but is done by nothing but the sense of the conductor.
2nd program, K. Emerson & G. Lake : "Tarkus" was the best one this evening.
Mr. Sachio Fujioka is going to take office as an invited chief conductor of The Tokyo City Philhalmonic Orchestra on '19, April
His potential and capability have evaluated by Dears all.