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bells were grouped in threes, as in Shang times, but the piteh range was different from that of Shang which had varied forms. lt took the uniformity of la-do-mi- sol Even when the number of bells in a cluster expanded to eight, the pitch range remained the same. According to the ancient book The Rites of Zhou the pitch range of the classical yawe was identical to that described above. So it is obvious that over this long period of time bells were used solely to perform the Ya yue of zhou Dream beauty pro hard sell.

Instrumental music, dancing and singing often followed separate lines of development within the ya We tradition, and were never completely integrated: Dancing was accompanied by whistle-like flutes and singing; singing was accompanied by a plucked instrument called se or a reed pipe called shcng. orchestral music, although it was known as "performance of metals", was played 0n arrangements of bells, . This orchestral music was very elaborate, and was for the entertainment of the emperor and the feudal lords only Lesser nobility had to be content with drums. The sonorous volume of bells and chimes combined to form majestic sound, and when drums were added, they had an incomparable effect of honoring the exalted positions and authority of the emperor and the feudal lords. The fact that these musical instruments underwent rapid development must have been the deliberate choice of aristocratic society Dream beauty pro hard sell.



A comprehensive analysis of the materials in ancient documents shows that some of the songs used in the Ya yue of Western ZhOu come from the Daya and Xisoya of the "Odes t0 Zhou" in the Book 0f Songs, and originate in Qizhou Dream beauty pro hard sell.



Western Zhou lasted 300 years, but long before this time was up, the original meaning of Qizhou music from which Y8We sprang was gradually forgotten.