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New armament for my photo hobby was obtained, Fujifilm X-T5 is the next trial for me. Vignetting and distortion adjustment capability were the reason. Standard and 70~300 zoom lenses were ordered together. The mount adapters for X onto Minolta MD and Canon FE were also fablicated utilizing X body cap and lens caps for MD and FE respectively as usual. Natural temperature polymizing resin were invited to adhead two plastic parts, 19.70mm flange back distanse was the critical value to be established to keep focusing length.

40 Mpic must be enough capability in X-T5 for my purpose to produce A3 size prints for exhibition.

Lightweight armament would be of help to me.

Relatively heavy rain is falling and thunder note is discerned this morning, the balance of the air pressure must be changing toward to Spring. Cold days are lasting this week as the last winter season. My son has been giving up Snowboarding this year since last week, but he is busy preparing for an unexpected opportunity of truly last SB. As we know, thunder sound tells when something different happens. Just I hope things that bring unhappiness might not occur.

Because Yashica Electro old camera is one of the trend among collectors, I bid on it in Yahoo auction the other day at the cheapest price, 1,300 yen. Though I'm not a collector, I was interested in the construction of lens design. I intended to transplant it into Sony E-mount to see it's taste actually. The item arrived at my residence surprised me with eye opening, it was in Mint condition. Probably, auto iris closure system embedded in Copal electronic shutter might be alive? But the required battery, 4G13 is out of production since tens year ago, 4LR44 would be compatible if a plastic diameter adapter is invited. I'll try it in very near future praying it's electric system vital sign. Any way, unusually innate condition like new would prevent me from disassembling and interplanting on to E-mount, how come? Dark cloud does not exist in my heart to destroy perfect heritage product done through 1977~1980.

Though I'm not an old camera collector, exceptionally I'll keep this lovely one at hand?

Piled some piece of distorted stones form a perfect figure of lantern in the ancient Japanese garden covered with green moss, it's a scenery of Ohara Kyoto "Sanzen-In" the other day.
Rather than stones that have been precisely measured and shaped, rather than those that have symmetry or consistency, stacks of irregularly shaped stones create a sense of calm and stability in the midst of instability. What on earth is this?
In the afternoon sun, I felt deep doubts and was impressed so much.

The largest space that once stood on the site of a vast national railway rail yard in the center of Osaka could become a major tourist attraction. Foreign visitors will not be disappointed at all. Trendy artificial space is so fascinating to be satisfied.

Stormlike strong wind made me so anxious about the condition of plum flower yesterday at Yuki-Shrine in Mie Prefecture, but it was in vain, no problem inside. Unexpectedly occurred low pressure was the reason.

Though the aiming purpose to shoot was Weeping Plum, unexpected specific green colored birds in number easily changed my determination immideately.

Minolta Auto Rokkor 58mm/f1.4 was set on 33*44 image for the initial target, but my moved mind by them proceeded to exchange 58mm/f1.4 into New MD 135mm /f2.8. As we know, so quick moving object is above difficulty at all if no sophisticated performance such as eye seeking capability in the autofocusing program with so to speak AI programing.

As for my equipment, all complete fully manual procedure with no programmed digital support!!